![]() ![]() Un’ora sola ti vorrei (2002) is her first film, followed by Per Sempre and the feature film Vogliamo anche le rose. Alina Marazzi is a documentary and fiction film director. The film, realised by the director Alina Marazzi, retraces the story of this amazing journalist via the capital cities of fashion – Paris, London, Milan – and makes use of precious archival footage, unpublished photos provided by the archives of Alfa Castaldi, her husband and noted fashion photographer, Ugo Mulas, Baldo Fabiani, and the testimonies of some of the most known designers in the world. Celebrated for her eccentric outfits and as an intimate friend of designers such as Karl Lagerfeld, Gianni Versace, Castelbajac and Manolo Blahnik, Anna Piaggi recognised the connection between art, society and culture that determined a new direction in fashion and defined its success on a global scale. MONDAY SEPTEMBER 26TH – ROOM 200 – 9.00 PMįFFMILANO PRESENTS THE PREVIEW OF THE DOCUMENTARY “ANNA PIAGGI: A DREAMER IN THE FASHION WORLD” BY ITALIAN DIRECTOR ALINA MARAZZIįrom the end of the 1960’s to the start of the new millennium, there was one figure in the world of fashion that embodied its ANN A PIAGGI spirit and told its story as it was happening: the journalist Anna Piaggi, one of the most important voices of the international fashion system. LA SOLITUDINE FEMMINILE BY GIOSETTA FIORONI (1967, 7′) MODELLING BY VITTORIO ARMENTANO (1966, 16′) SULLE SCALE MOBILI (LA RINASCENTE) BY BRUNO MUNARI AND MARCELLO PICCARDO (1964, 13′) LE GOTE IN FIAMME BY UGO NESPOLO (1967, 2′). The screenings will be introduced by the fashion journalist Renata Molho and by a representative from the Cineteca Nazionale. Curated by Archivio Nazionale Cinema d’Impresa and Cineteca Nazionale – Centro Sperimentale di Cinematografia and in collaboration with Galleria Civica d’Arte Moderna e Contemporanea di Torino, Promovideo – Andrea Piccardo, Maurizio Corraini SRL, Ugo Nespolo, Archivio Franco Angeli Archivio Mario Schifano. Schifano, Nespolo, Munari and the others, fathers of our communication, presented fashion on screen through a research on film language, preparing the path that many young filmmakers – some of them in competition at the festival – are now following. FFFMilano presents it in its programme to express the connection between this kind of experimental cinema and nowadays fashion films. The selection BODY&GARMENT opens a window onto fashion, in a dialogue between dressing and the naked body, between the woman as subject and as object. ![]() The movement started to involve poetry, performances, representation and many different artists such as Mario Schifano, Marcello Piccardo, Bruno Munari and Ugo Nespolo. Changing the filming technique, cinema becomes an extensionof the filmmakers’ subjectivity, shooting their “private diaries” and bringing their unconscious ghosts on the screen. Italian experimental cinema arises in the second half of the 60’s thanks to a group of young filmmakers who were influenced by New American Cinema and acted against the entertainment production system, to create a cinema that could be a true expression of their dreams and desires. SUNDAY SEPTEMBER 25TH – ROOM 200 – 12.00 PM SATURDAY SEPTEMBER 24TH – ROOM 100 – 5.30 PM LA MODA NEL CINEMA SPERIMENTALE DEGLI ANNI SESSANTA From September 10th to October 10th “DPlay”, Discovery Italia’s digital platform, will host FFFMilano contents, from the first to the current edition, new interviews and documentaries ready to be discovered. The fashion maven was a muse to a many top designers, including Manolo Blahnik, Dolce & Gabbana, and Karl Lagerfeld, and also contributed to magazines including Adrianna, Panorama, Vanity, and of course, Italian Vogue.Fashion Film Festival Milano thanks to the collaboration with Discovery Italia launches the FFFMilano Channel, the first channel completely dedicated to the world of fashion films. And what a closet she curated-London's Victoria and Albert Museum showed a collection of her clothes in 2006 called "Fashion-ology," and it included 265 pairs of shoes, 982 hats, and 2,865 dresses.īorn in Milan, Piaggi started out as a translator for publishing house The Mondadori Group (it was there that she met her late husband, fashion photographer Alfa Castaldi). She masterminded thousands of flamboyant, ethereal, and downright inspirational spreads in Italian Vogue. Piaggi was fluent in several languages, though when she communicated through fashion, it was in ALL CAPS. ![]() Best known for her electric blue pin curls, rosy cheeks, and eccentric vintage ensembles, she has been called, among other things, "a poet with clothes" (Bill Cunningham), "anna-chronistic" (Karl Lagerfeld), and "the height of glamorous eccentricity" (Dita Von Teese). It's a sad, sad day for fashionphiles and lovers of fantastical hats-the one and only Anna Piaggi died today in her Milan home. ![]()
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